Showing posts with label sensations. Show all posts
Showing posts with label sensations. Show all posts

2013-08-26

Reactions have three components

From: Five Elements Five Dakinis 3
Full transcript

Audio
All reactions have three components. 
How they manifest physically in the body, which typically there’s a kind of tensing or contraction. There can be actual physical sensations in different parts of the body. Your stomach feels churned, or like it does butterflies. There can be a constriction in the throat. I mean there all kinds of possibilities— your heart can beat faster. There are always some—and sometimes some quite strong—physical components to the reaction. And most of the time we aren’t aware of them, which means we aren’t really aware of the reactive process taking place.

So in this set of practices that we’re doing, stay very much connected with your body—what is actually happening in my body. Again you don’t have to analyze it or explain it, but be aware of it and actually experience it.
The same is true at the emotional level. Maybe looking into someone’s eyes triggers fear, maybe it makes you anxious. Maybe you feel squirmy. The sense that someone is seeing you without any judgment may make you acutely aware of your own judgment. I think one of the things came up earlier is a feeling of being special. 
And I have one student in LA who’s working with that particular issue at this point. She’s very chagrined about it. Because she sees how much of the way that she relates to the world is coming from holding a feeling that she is in some way special. So it allows her to negotiate a lot of situations very easily. But at the same time there’s a certain pride and feeling of superiority. So that’s something you may watch for. Maybe a feeling of being naked, revealed, exposed. And there could be a whole other set of reactions connected with that.
Audio
And there are the stories that come up, which is the third component of reaction. This is the component of reaction that we most often notice and believe immediately. We don’t question it at all. And again someone looking at us, really seeing us and seeing us without judgment, we may say to ourselves, “Look what do they know?” Or, “What does she want?” These are what I mean by stories and they again those thoughts come up, I mean we don’t even question them—we just take them as fact.
But if we’re in touch with the physical and the emotional we may appreciate the fact that these are simply thoughts and ideas and may not have that much grounding in reality. And so now we can experience things very, very differently and experience all of that as, “Oh, this is how I’m reacting to this possibility.” You know all the discomfort, all the stuff is in me, even those intended see the projected out there.

2010-05-13

Meditation

Resting - Listening

A feedback loop: a self-referencing system

From Janet Hathaway:

I found Ken's Monsters Under the Bed retreat (especially the first podcast) had excellent advice on meditation. It was extremely helpful for me. If you get a chance, you might enjoy listening to it, as it speaks to all of your questions, in detailed ways.


Meditation (from MUB01: Monsters Under The Bed (retreat) 00:35:07.00 - 00:48:10.00)

(download into iTunes)

Ken: Within what Claudia and George were both saying are two qualities which are extremely important in meditation. And actually in our lives, but we first begin to form a relationship with them, or many of us do, in meditation.

The first quality is resting. Claudia talked about resting in the experience of breathing. We just tried that for a few minutes. And some of you noticed that you barely start resting in the experience of breathing and the horse kicks you off its back. Just like that. What’s your your name?

Cathy: Cathy.

Ken: Cathy. I thought you were one of the Cathys! Yes, you’re the C, right? Ah. Okay.

So, you notice how what you say is your mind—I’m not quite sure what that is, so I may ask for some elaboration on this—but some thing jumps in and starts trying to control the whole process, telling you what to do. “Well, do this. Stand up. Sit down. Lean to the left. Lean to the right. Breathe a little more deeply.” And all of that stuff. How many of you in your meditation practice have this little commentary that goes on the background, “Okay, hey you’re not doing badly right now.” [Laughter]

“Now, just ease up a little bit there—you’re getting a little bit tense. Oh, cool, cool—that’s it! Just—oooh, nice move! Ah, a little dullness here, better sharpen it up. Oh, come on, you got lost in a thought! What kind of an idiot are you?” Anybody else have this?

I suppose that’s what you’re referring to as your mind. Ah, okay. Well, so you start resting in the experience of breathing, and most of us get caught up in thoughts immediately. This is where what George is saying comes in It’s very important.

We may not notice this at this point, but every one of those thoughts is actually a reaction to a physical sensation. People are looking like, “What?” It’s a physical sensation with an emotional charge, and we don’t want to touch it so what we do is we start thinking. This is why I said last night, and George reiterated this this morning, that the most reliable way to cut through the thinking process is to bring your attention to what you are experiencing in the body. And you say “Well, I came here to meditate. I came here to be quiet and peaceful. I didn’t come here to feel all the aches and pains and little stuff, you know, I just want to sit and just have a really quiet mind.” But it doesn’t work that way.

George also talked gave us some very, very useful pointers on sitting. I want to take it step further here. I said there are two important components to meditation. First is resting. The second one now comes in—listening. And this was implicit in what both Claudia and George talked about: You listen. Your body knows how to breathe. Can you listen to your body and let it breathe the way that it knows how? Or do you have some half-ass idea about how it should all be done. And you just go ahead and breathe that way?

You know the most difficult people I find to teach? Yoga teachers. Not all of them. But a good number of them have got so used to controlling their breath that they can’t actually let the body breathe. And it’s fair enough because in Hinduism/Yoga, it’s a different approach. And you learn to generate experiences through working with the body and working with the breath in ways. But they come to Buddhist practice and they sometimes find it very, very difficult because they can’t actually just rest and let the body breathe. It feels like everything’s going out of control.

Now, in that sensation of everything going out of control, there are a whole bunch of physical sensations. And that’s where you start in your practice. Okay, so, I feel like things are out of control, what am I experiencing physically? I feel like I am going to sleep, what am I experiencing physically? I’m feeling angry and upset, what am I experiencing physically? We do this over and over again.

In other words, you listen to the breath. You listen to the body.Your body will tell you how to sit. It will tell you when you are straining too much. It will tell you when you are slumping too much. It will tell you what it can do. It will tell you what it can’t do.

As you sit with the body, then you’ll find all of these different sensations. You listen to them very deeply, you will know how to sit. You listen to your breath and your breath will tell you when it’s out of sync with the body. And you will know, or your body will know, how to breathe. As you listen to all of that, you’ll find that you will know how to rest.

Resting in this way may feel a little different, because as Claudia said in her comments, there isn’t this sense of control that many of us are used to. And so, the moment we start actually resting, our emotional reactions to the lack of control start to arise, and now we just go through the same cycle again. What do I experience in my body?

And so meditation practice in this way of resting and listening is a dynamic process of adjustments in our posture, in our breath, in how we’re placing our attention. But the net result of all of those adjustments is an increasing sense of both rest and balance. That’s what we mean by such terms as shamatha. It’s not a case of just holding everything still. That just produces suppression and that generates other problems.

Rather, when sitting this way, practicing this way, we’re listening to our whole experience and finding a place of balance in it and resting there. Now, as we rest there, the place of balance will naturally shift because of all of the movements that George was describing. And so we find ourselves resting in a constantly moving balance.

Now as time goes on and we gain more experience and understanding, that becomes more and more subtle. So, from the outside, it will look like we’re doing nothing. But inside, we will sense this constant movement out of balance and then the adjustment to move back towards balance. And I’ve said on other occasions, it’s a bit like riding a bicycle. It doesn’t matter how fast you’re going on a bicycle, the bicycle is always moving a little bit from side to side. And you’ll find the same thing in meditation: It’s always moving a little bit. And the moment you try to hold it still, you actually stop the process. But if you just rest in this movement and keep listening and listening, you’ll find that the adjustments become smaller and smaller and you rest more and more completely.

Now, if you’re like most people, you’ll want to rest on something. And I ask you to remember, it’s turtles all the way down! [Laughter]

2010-02-22

Full Body Experience

Good Bye to the Gloom and Doom School...from George Draffan:

Full Body Experience (from MUB05: Monsters Under The Bed (retreat) 00:32:54.00 - 00:51:54.70)

(download into iTunes)

George: [Volume very low here. The sound level will increase.] I ended up in Ken’s gloom and doom school because I was, you know, gloomy and doom-y. And I was kind of half animal, half titan and half…I don’t know…animal and titan. My body was dull and stiff and kind of numb. But I was a titan, so, you know, let’s sit in meditation. So that’s the way I would sit. And the pain and the burning and everything would start to build up, and I didn’t care. Because I’m energetic and I’m pretty strong and mostly I’m really stubborn—like to the point of stupid. [Laughter]

Animal realm, right? This is the way we do it. This is the way we always do it. This is how it’s done. And if it burns I don’t care, because I’m going to meditate. And somebody else over there is moving, but I’m not. [Laughter] So, there may be…fifteen years this is the way I sat. [Laughter]

Then Ken starts in on his gloom and doom stuff. Like there’s pain; there’s suffering; there’s confusion; you’ve gotta go through it; you’ve gotta experience it fully. Well, that fit with my experience. [Laughter]

And I was getting sick, and like, you know, my back was in horrible shape. And you know, I…I’m breaking down, cause I’m not that strong. But I thought I was. And then one night up in the zendo my body just exploded. I mean, it was like Star Wars inside. And everything just went haywire. And luckily it was at night, so I didn’t have to, you know, sit there for more there for more than—how long is the night session, like, eight hours or something? [Laughter]

And so I crawled out of there. And my vision was weird and my balance was weird. And I made it back to my cabin and I laid there. And all night long my body’s just going “whew, whew, whew.” All the nerves and everything’s going crazy. And the next morning when I came into the zendo…you know, I crawled back up there in the morning, and my body’s just like “this.” And about halfway into the session, I thought, “You know, this feels kind of good.” I can actually feel my body. There’s like…I have internal organs. And if I want to sigh, I can get some air and sigh. It was like, “Wow.”

And so, if you make that gloom and doom website, I’m going to put together a team of hackers, because there’s…I mean, it’s true, you do have to experience all the struggle, all the resistance, all the pain, all the burning, all the wanting, all the competition—whatever you’re into, you’re going to have to experience that.

And you’re going to have to experience it until you get to the point where you really understand physically, emotionally, mentally, perceptually, socially—you don’t care how stuff’s going anymore—you realize that the struggle’s not going to work. The fighting is not going to work. The needing is not going to work. The dull, “Just do it the way it’s always done” is not going to work. It doesn’t work. That is what the realms are. Each one’s got its own flavor of struggle. But the whole thing’s kind of self-contained and self-referential, and it doesn’t work.

What works is giving up on that struggle. And each of you is going to have to find the way, you know, to do that. It’s not really even something to do. You’re going to have to stop struggling. If you’re dumb and stubborn like me, then you’ll wait until you explode. Or if you’re stronger than me, you’ll go through your whole life struggling and then you’ll die, and that’ll be—[Laughter]

So, that’s the gloom and doom part. How do you get to the good part? It’s better than love and light, it’s like bliss and freedom. And it’s there. I don’t care what Ken says. I’ve escaped from the gloom and doom school. I’m still hanging around with him because he gives me tools. But I’m starting to use the tools to hack into a different system. And I’m not at all clear about how to do it. I think, again, it’s giving up on some level—every level—whatever your, you know, favorite kind of struggle is. You’ve gotta give that up and die to that realm. That’s how the realms are emptied.

The only tool I think I can give you is the physical one. We call it physical. We call it the body. And then we have the emotions, and we have the mind. Well those are conceptual, you know, things that we put on them. The body doesn’t exist. This is a field of energy. It’s a field of awareness. And all the emotions, all the sensations, all the thoughts that you ever experience—ever will experience—take place in this field. It’s not like the emotions are here, and the thoughts are here, and the body is, like, somewhere, “I can’t feel it.” It’s like, there’s a field here, a field of experience.

How can you sit, so that you can feel the field of experience? And when emotions arise, thoughts arise, you can feel them in your body. That’s where they’re taking place. So, sit however you want to sit. You stay like that, and yeah, everybody stay where they are. Don’t get into meditation posture. Posture has the same root word as pose. So you find this pose, and then you hold it. It doesn’t work.

Sit how you’re sitting. Feel your spine from the top of your head to your tailbone. Just feel it. You might feel like, “Eh, nothing.” Or it might feel, “Well, I can feel my tailbone, but I can’t feel anything, you know, my upper back…” Just feel what you feel from the top of your head to your tailbone. That is kind of the central core of the nervous system that’s the communication system for this field of experience.

So feel your spine. Is there tension in your body? Does your lower back hurt? Is there that monster between your shoulder blades that just kind of lives back there? Do you have a kink in your neck? Move your spine as a whole. Don’t straighten your neck. Don’t get rid of the kink. Move your spine. And find a way—find what makes that pain worse, and then find what releases it. And play between those two points. One way to do it is by rocking your pelvis—which the guys, especially, are not going to want to do—but try it.

Feel your belly button or your pubic bone and rock the pelvis itself. What happens to your belly as you rock your pelvis forward and back? What happens to the small of your back? What happens to your shoulder blades as you rock your pelvis forward and back? What happens to your sternum? What happens to your ribcage? What’s your head doing?

When you’re moving your pelvis, is your head locked up? Or is your chin, your head rolling on top of your skull? Your spin is curved like an S. If you’ve got a kink in your neck and you try to straighten that kink, then you’ve just put a crease or a kink in your shoulders blades. If you try to arch your back—your lower back—while keeping your head, you know, slumped like that, you’ve just introduced tension. So move your spine as a whole. If your head moves, then your lower back better move, or else you’ve just put a kink in your nervous system.

Same thing with rotating. Can you rotate your shoulders—doesn’t have to go more than half an inch—can you rotate your shoulders and participate with your ribcage? Can your shoulders move independently? If they aren’t moving independently, you’re holding something, because your shoulders are only held together by a little tissue and a couple of tendons. Your collar bones are only attached in one place. Your shoulder blades and your collar bones should move independently. That will unlock whatever that demon is between your shoulder blades.

Same thing with the sternum. The sternum is a little bone that sticks down here all the way up to the little hole up on top. All your ribs are connected to the sternum. We think of it as a cage, cause we’ve built a cage. And we hold it rigid. And when we turn, we turn like that. And we bend, we bend forward like that. We’ve turned this into an iron cage, cause guess what’s behind the sternum? The heart. Guess where grief comes from? Right in between those ribs. Guess what happens if you, you know, slump? You’re shoving down on your solar plexus! Guess what’s…what emotions come out of the solar plexus? What comes out of the lower belly that we’re always holding in?

You can move your sternum half-inch in and out, encourage it with your fingers. You can actually bend there. What happens to your shoulders? What happens to your shoulder blades when you move your sternum back half an inch? It doesn’t have to be very far. And it may start to crackle and crunch. That’s cause you’ve been holding it for about fifteen years. But it actually does move, and all those ribs move independently.

So, I can go around when we go up to the next session. But I’d like you to start by sitting. Find your sit bones. Let your skeleton hold you up. Gravity, your skeleton, and your chair will hold you up. You can let go. Let your belly hang out. Let your head do whatever it wants to do. Feel your spine. Find the place on your sit bones where you can balance and all your weight is on your sit bones, and you can let go.

Five minutes later something’s going to start burn. There’s going to be some pressure. It’s cause your back is arched. Or you know, you’re, like, trying to be Mr. Soldier or something’s holding. See if you can move your whole spine by undulating it, you know, forward and back, rocking your pelvis—the pelvis is really important—or by doing the rotation thing. See if you can find where that holding is, and what you’ve gotta do to let go. And if you want to sit like this for five minutes, because it feels good to twist a little bit, then fine. You’re allowing the fight or flight mechanism—that anxiety that wants out—and you’ve been holding it back. It wants out. So if you just let your body twist a little bit, it’ll pop out.

The patterns that we’re trying to dismantle, they operate on physical, emotional, mental levels, perceptual levels, social levels. There’s a physical component to every pattern. You’re working it with your brain, with your mind. You identify it. Now you’re going to be willing to get rid of it. You’re going to chip away at it. But if your body’s like this—the pattern that you’ve held in your body, the knot, the samyojana—the knot itself that is that memory of that pattern that you’ve been carrying in your body is not going to be able to release.

So you’re going to have anxiety. You’re going to have fear. You’re going to have hatred. And you’re just holding it there. If you let go, your body wants to move. Those knots release by themselves when you have enough awareness and the field of experience is open and relaxed enough to let that movement happen. You are not going to dismantle a pattern of anxiety until your body can move the way it needs to move to release that knot. So, with so many things in life we’ve set up a contradiction, “Sit still, you know, find the pose, the right place. Sit still, and now dismantle your patterns. You know, like, release all the knots in your body…” Okay, well, you can try.

When I go around this morning, when the bell rings, you know, find that place. Take the time to find the balance, so that your skeleton holds you up instead of your muscles. That’ll work for about three minutes, and then your body’s going to want to move. Move it. Riding the bike. Riding the horse. You’re not holding still. You’re balancing. Whatever has to happen, let it happen.

I’ll come around, but I can’t ask you how you feel and where’s the pain and how long’s it been there and do you have a physical injury and all that and then, you know…I could do that if we each had an hour together. But I’m going to go around, so if you have a persistent pain or a habit of holding, if that knot between your shoulder blades is your big thing, then when I come around to you, like, point at the problem or say “Shoulder blade.” Or you know, if you’re holding yourself up all the time and your lower back is starting to go out, say “Lower back.”

So, like, identify a place in your body where there’s tension, burning, pain, you know, something like that. And I’ll do whatever I can in the context of, you know, silence and the time limitation. But the essence of it is to remember there’s a field of experience here and it has to be open. The spine and the nervous system have to communicate. It has to move. There’s energy moving inside.

When you can do that, the tingling, the burning, the fear—all those things that, when you’re in the realm, you’re struggling with them, either to hang onto them or to get rid of them, or to ignore them, because you’re trying to meditate—all that struggle, the sensations, the emotions, et cetera, in themselves, are a source of exhilaration and movement and flow. And I shouldn’t say this in front of Ken, but bliss. That doesn’t mean everything feels good. It means everything feels like “Whoa.” And, like, the pain is like, “That, you know, that is amazing. It’s like, you know, my back is, like, burning. Or something, you know, in my solar plexus keeps coming out and my jaws just keep going [pops cheek]. It’s like, Whoa, this is like an adventure.” [Laughter]

So whether it’s pleasurable or painful, there’s something…that’s the third mark of existence, right? Nothing but suffering. Everything is unreliable. Everything is suffering. Well, the flip side of that is when you let it be that way and let it flow, everything is bliss. And it doesn’t matter whether it’s pain or pleasure, it’s a full-bodied experience. It’s always moving. It’s never stuck. And it’s really exciting. And it’s actually the full-bodied experience that we’ve been looking for. That’s what the struggle is all about. Whatever you’ve been locking in and stuffing and trying to control and manipulate and keep or get rid of is—what you’re missing, that sense of incompleteness—is the full-bodied experience of the field of the body.

The body, the mind, the heart is all the same. It’s a field of experience. And when it flows—and you let it move—it’s pretty amazing. And there are problems and there’s pain and, you know, etc. If you have injuries and whatever, it hurts. But it’s different. And there’s not a struggle. It’s just whatever it is.

I’ve left Ken four minutes. [Laughter] It’s about right. [Laughter]



2010-01-13

The Body

From George Draffan:

The Body (from MUB01: Monsters Under The Bed (retreat) 00:19:52.00 - 00:24:38.25)

(download into iTunes)

2010-01-02

The Central Practice


The Central Practice (from HSW01: Heart Sutra Workshop 00:18:10.60 - 00:35:49.00)

(download into iTunes)
I bow to Lady Perfection of Wisdom.
Thus I have heard.

At one time, Lord Buddha was staying at Vulture Peak Mountain in Rajagriha, with a great gathering of the monastic sangha and the bodhisattva sangha. 
At that time, Lord Buddha entered an absorption, called Profound Radiance, in which all elements of experience are present. 
I think we have to stop right here. Jess, you can put down the book for a moment.  So, here's Buddha. He's meditating. And you notice the situation, they're perched on top of a mountain top which is a place that exactly exists in India. I've been there. And he's surrounded by monastics and bodhisattvas. We'll talk a bit more about that in a few minutes. And he entered an absorption, called Profound Illumination or Profound Radiance--it's translated in different ways--in which all elements of experience are present. How many of you know this absorption? How many of you would like to know this absorption? Oh, you know this absorption, do you? Oh, good. So, let's spend a few minutes.

Now, if you're going to have all elements of experience, it's probably better if you have your eyes open, so you aren't shutting things out. So, start just by sitting and resting with something we all know, resting in the experience of breathing. Now, generally when we rest in the experience of breathing, the first thing we become aware of is the sensation of the breath through the nostrils. But that's only part of the experience of breathing. You may also notice that the breath flows through one or either of the nostrils more than the other. Maybe the temperature is slightly different. You may also notice a sensation, a cool sensation at the back of your throat when you breathe in. Movement of the lungs and the chest. Movement in the diaphragm and stomach. So, just experience all of that. 
You may also experience your back moving, a little bit. When you breathe in, the body straightens up, a little bit. When you breathe out, it bends forward, a little bit. It may only be a couple of millimeters. You may notice that your head moves accordingly, the chin moves very slightly up and down. Whoever said that meditation was actually sitting still? There may be other sensations taking place in your body connected with breathing, experience all of them. You may find your attention moving from one sensation to the other. You don't need to do that, you can experience them all at the same time.  
So experience all the tactile and kinesthetic sensations associated with breathing. Then include a bit more: all of the tactile and kinesthetic sensations associated with your body. Sensation of clothes touching your body, the sensation of your body sitting, sensation of your hands and feet touching or interacting with each other. In addition to that, all the sensations connected with breathing. Just experience all of it. All at the same time. You may find that your attention collapses down on one or other thing, and as soon as you notice that, just expand from that thing that you are focusing on to include everything connected with breathing and your body. Just sit there for a few moments, in the experience of breathing. 
But our sense of the organ of the body is only one of the five senses. There is also sight. So, as you sit there in the experience of breathing, you could also include everything that is in your field of vision. From where I sit, that's the faces and bodies and clothes of all of you. All of the details of the thangkas and the glittering of the brocade that frames the thangkas, the lights, the ceiling, the floor, the windows, the walls. That's all part of the experience of breathing, it's all part of what we experience right now. Also include the sound of my voice and the sound of the traffic, just include everything. The feelings of your body when you breathe and all of the other sensations that arise in any of the senses.  
You sit in a field of sensory experience. And you may notice, as you sit in this field, that there are other elements of experience. Maybe some thoughts arise because of the honking outside, saying, "I wish it would go away." And there's feelings of dislike or displeasure. Maybe there are other thoughts, other emotions. In other words, there is all this internal stuff that goes on, too. So, just include that: the sensations of the body, all the other senses, thoughts, feelings, sensory sensations, emotional sensations, cognitive sensations, we call those thoughts. Don't push any of it away, don't try to organize or understand any of it, just experience it all. And whenever you find yourself collapsing down on one thing, just expand back and include everything. You don't have to actually sit still to do this, you can let your eyes move gently and slowly around the room, taking in all the visuals, but including the body sensations that are involved in that.

So, here we are in a field of experience: sensations, thoughts and feelings. You sit in this way long enough and you begin to wonder what outside and inside mean. So, maybe we could just let those go and have this field of experience. Now, open your heart to this field of experience. Some of you may say, what does that mean? But you know what it is to open your heart to your spouse, or your partner or your child. So, you just do the same thing with what you are experiencing: just open your heart. 
So you have all of the physical sensations and all of the sensory sensations and all of the internal material, the thoughts and feelings and so forth, and you have an open heart. Now, in a moment, I am going to suggest a question. I don't want you to answer the question. I simply want you to pose the question to yourself. When you do this, you'll probably experience some kind of shift. When you experience that shift, just include that experience, too, with everything else. So, physical sensations are breathing, all the sensation with the body, all the other sensory sensations: sight and sound, taste and smell. All the mental and emotional sensations: thoughts and feelings. The whole field of experience which we experience with an open heart. The question is, "What experiences all this?" As I say, don't try to answer the question, just experience the shift and then include the experience of the shift with everything else. What experiences all this?

[Silence, Gong]

So that's what Buddha was doing. 
How was this for you?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Central Practice Comment (from HSW01: Heart Sutra Workshop 00:42:05.50 - 00:50:36.00)

(download into iTunes)
This is how you experience everything. All elements of experience are present. You see, things are much simpler than they are often presented to us. There are only three things we experience: thoughts, feelings, and sensations. Everything else is a construct, or an abstraction from that.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

2010-03-06

I originally titled this post Absorption Meditation.  It's is a much longer version of The Primary Practice, which Ken uses and introduces in many retreats and classes.

Early this week Ken suggested renaming it to The Central Practice:
"Very good to have this up and available. And, yes, the title could be better. The friend who developed it calls it "The primary practice" but I've never liked this term.

If it's not too late, perhaps change the name to "the central practice". And I'll start to use this terminology in my talks."
Renaming done.

Clemens